The train is the first great transport device and communication created in our century. The implantation of railway networks permanently linked the most distant places, unifying not only our landscape, but even our way of registering the course of time. First form of the globalization utopia, of the techno-media project that constitutes the contemporary world, the train is also what moves us away, the first mechanism of the never fulfilled desire of complete communication, of total exhibition to the media. The situation proposed by Carlos Nader, a creator that usually works for television, presents a break in these circuits, a communication fast. Installed during seven days and nights in an inaccessible place, equipped only with a computer linked to the net and a fax machine, he receives messages from people who want to tell secrets. He doesn't give any answer, doesn't turn public what he received. A suspension that exposes, through emptiness, the excess of the communication systems. A passive posture that counterpoints the dominant order of interactivity. A discontinuity that introduces slowness where everything is acceleration. An end of line suggesting that, today, secret may be the individual's last refuge in the world.

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