The use of a consumption product in a limitless amount, beside a huge crack pipe, placed at the Mill, is also an ironic allusion to pop art. Here, the object of consumption, literally disposable, is an instrument of pleasure and cruelty. Its repetition in series emphasizes the dependence, the sameness of violence. The ostensible presence of the syringes and the pipe, invading all places, it is not a reason for celebration, but a symptom of death.