Photography traditionally sought, since the 19th century, to build panoramic views of places. Panels that contained the location of all things, that organized the landscape up to where the eyes could reach. Those old tableaux are at the origin of photography.

The great panoramas of Patrícia Azevedo reenact that procedure, in order to demonstrate its mechanism. They are collages made in the very negative, worked out in the developing process, unique copies. A juxtaposition of images of these places, current and from archives, out of proportion, disregarding scale. A spatial and temporal articulation that suggests the possibility of other stories and other configurations for those places.