The kitchen gear improvised by the illicit visitors of the abandoned Mill _ old fat cans and bowls made of metal or plastic chips _ enticed photographer Rocheli Costi to comment the image temptation created by restaurant ads that show sophisticated dishes in luxurious ambiances.

Those gigantic images, about ten times their natural size, provoke strangeness for they displace that consumption desire to the ordinary meals of the low class population, prevailing at the area. The family dish, that of the corner café, the lunch box and the homeless' surrogate. The marginality living on the side of the rail tracks and of the media.